All posts tagged: how-to

local meat – butchering and processing

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As mentioned in my earlier post, we have a pig that we slaughtered earlier this week, and when you have that kind of meat coming into your house, you are best to have some sort of plan as to how you want to manage it. We did a lot of reading in advance (highly recommended), and arranged to have all of the tools/supplies need as well as cleared our calendar in order to take care of the meat. Now that we are all done, we have seen that it took us three days with multiple people each day in order to manage the task. This is definitely a group project! Here is how we broke it down: Day 1: Slaughter halving of the carcasses removal of heads hanging Day 2: Butchering cutting the primals leg shoulder belly loin deboning the legs and removal of hooves tying and packaging roasts, ribs and chops scraping stock bones setting aside fat and meat for grinding and sausage production Day 3: Production / Processing making stock from the bones seasoning for dry curing …

dehydrated vegetables and herbal salt

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An interesting day at Hellviktangen’s farmers market this weekend. A lot less people came, likely due to the rain, but the ones who were there were very keen on hearing details about the products that I had available. One  item that brought about great interest was my seasoned salt. Such a simple ingredient to have on hand and it can be used on so many ways. Throughout the growing season, while everything is fresh and abundant, I do my best to preserve what I can. One of the methods I use is dehydration. My pantry is full of mason jars with a huge variety of dried goodness in them. My trusty mandoline which has been well used for over a decade makes quick work of the task, and once thinly sliced, I place everything in the dehydrator and let it go to work over night. I dehydrate at no more than 40C (104F) in order to maintain the optimum nutritional value. While I do not adhere to the Raw Diet, I choose to use this process for dehydration …

New tool in the studio

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Over the holidays, the studio welcomed its newest tool, a plotter (cutter). There are many on the market, each having their own pros and cons, but after having done some research, I found the one for me. I have always had a love for words.. quotes and sayings… and being a font addict with a reasonable handle on graphic design and a love for Adobe Illustrator, the possibilities with this machine are endless! It cuts so much more than vinyl… cardstock, fabric, stencils for glass etching and fabric stenciling, heat transfer for clothing.. and I have even sourced reflective heat transfer for clothing. That may sound crazy to most of the world, but living in Norway, the dark season makes wearing reflects mandatory. My son has decided he wants to start a business selling his own reflects designs.. and he is only 8! Time to make space in the studio. Yesterday I made my first wall piece from vinyl. Well beyond the standard size of the plotter (the wording is just over a meter high), …

leather handles on felt bags

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A while back, I blogged about the raw wool felted laptop bag (see post) that I created for myself, and I thought I would show how the handles were made. Store bought handles of all shapes, sizes and colours are available in most craft stores (or online), but in my opinion, nothing beats a good quality, handmade, adjustable thick leather strap with solid brass fittings. I have not used a pattern for doing this.. I simply gauge the size based on the bag and what feels comfortable. The only factor to consider is the width of your buckle. I cut five pieces of leather, one for the strap, and two shorter pieces that are doubled over and secured to the felt itself using chicago screws (leather bond optional), and two narrower pieces that are looped to keep the strap from flailing about. The side pieces are very simple.. an oval hole in the middle for the buckle to pivot, and in this case two holes matched up on each side.  Punch matched holes in your …

The life of a Maker… studio time

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I managed to get in some studio time of late to finish off some orders, and get a few pieces photographed. Years ago I read that an artist should take photos of everything they make regardless of whether it is going to be a personal gift or go up for sale (or already sold for that matter). Time to start getting into the habit. Jewelry photography is a tedious task, requiring very bright lights with a light tent to control reflections and shadows. I keep thinking I need to set up a photo spot in the studio, such that it is not such an effort setting everything up each time. My children spend quite a bit of time with me in the studio.. asking questions, playing on the floor.. digging through all the tools and supplies while dreaming of what they want to make next (they now even have their own cupboard of supplies). It has been a productive time, and with studio visits scheduled later this week with neighborhood children, there will be lots …

Kiln fired enamel

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Enamel – a fantastic way to bring some colour into what can often become a world of black and white when working with silver. This week, I have been testing a set of colours from Thompson Enamels – transparent/lead free for use on silver/copper/gold. Enamel is powdered glass which, when heated melts, flows and hardens to a smooth, durable vitreous coating on metal. Enameling can also be done on glass or porcelain, but requires enamels with a different COE (Coefficient Of Expansion) – expansion rates must be suited to the base surface material. Prior to using enamels, they need to be washed to remove the “fines” – (extra fine particles which can cause your enamel to be cloudy). This can either be done: wet: by rinsing in water multiple times until the water runs clear or dry: by using a series of sifting pans to separate the particle sizes (60, 80, 100 mesh etc.) Regardless of which technique you plan on using to apply the enamel, the silver must be properly prepared, polished and cleaned to …

bomaki shibori – tutorial

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Lately I have had been reading everything I can get my hands on regarding shibori, the japanese art of creating texture and colour on cloth. There are an incredible variety of styles and techniques that are encompassed in the Shibori classification. Here are some photos (and a quick tutorial) of a piece I made using the bomaki shibori technique.

Tutorial – handmade felt covered buttons

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Felters who make handmade felt all have felt lying around that was either a sample test, a project that just was not right or simply bits left over from larger projects. There is nothing like handmade wool felt, and event the smallest pieces never get thrown away, after all.. each piece was lovingly made by hand! For those of you who are not felters, follow these directions using just about any fabric.

thanks & blog poll

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I took at look at my stats today, and just wanted to say thanks for reading. When I started my blog this summer, I had no idea that it would be read by so many people. I would love to hear what you would like to see more of (take this anonymous poll – choose 2 options) : by the way, if you want to subscribe use the RSS feeder links on the top right then bookmark it.

Naughty by nature?

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… what would you like written around your finger? 😉 I have always loved words and I am an admitted font addict. I have a font for every occasion! I am continuously amazed at how a font can carry almost as much weight as the actual text in a graphic setting. When I first put words in silver, my head swirled with ideas. What, and how to write it – the possibilities were endless. Rings are my personal favorite. There is a significant amount of work involved in the creation of a custom ring. The graphic design (size matters) is crucial, the actual sizing of the ring (size matters here even more so!)  – it all needs to be taken in consideration.  I start at my computer where I work in Photoshop to create a template from which to work. From there, I go through a series of steps to convert that 2D image into a three dimensional form that I can use to sculpt the ring. Working with photopolymers and some japanese techniques. I …

in the studio today…

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A few moments from the studio today. Made using a mix of Norwegian C1 and pelsull with a touch of silk throwers waste for accent. Here is a glimpse of the process: UPDATE: This photo will give you an idea as to how much it shrunk in the felting process. Norwegian C1 is fantastic wool! ohhh.. and a link from Siki in Canada.. I absolutely  love this, turn your music on and enjoy.